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The Synth-Pop Duo's Musical Force Dave Ball Dies, Aged 66

Dave Ball and Marc Almond of Soft Cell
Dave Ball (on the left) established Soft Cell alongside Marc Almond in Leeds in 1977

The talented musician, a key member of the pioneering 1980s electronic music duo Soft Cell, has passed away at the age of 66.

Together with singer Marc Almond, the team scored a worldwide hit with their cover of Gloria Jones' Tainted Love in the mid-80s, and their debut album Non-Stop Erotic Cabaret is regarded as a seminal work of electronic music.

He later founded the innovative techno group The Grid, who secured popular acclaim with their 1994 single the hit Swamp Thing.

Ball died peacefully in his rest at his residence in London on October 22, just weeks after performing a headline show with Soft Cell at the Rewind music event in Henley-on-Thames.

Recent Health Challenges

At that show, Ball performed in a mobility chair, as he had for the previous couple of years, following a spate of ill-health.

"I ended up damage myself quite a bit," he stated in 2023. "I broke spinal bones in my spine and fractured about five ribs and fractured my arm."

After catching a lung infection and developing blood poisoning, he was put in an medically-induced sleep and stayed in the hospital for seven months.

Nevertheless, he had been in "a great place emotionally" during the warmer months, as he was developing a new album with Almond, titled the upcoming Danceteria, which is set for publication in the coming year.

"He was concentrated and so happy with the latest project that we actually finished only a short time ago," stated the vocalist in a heartfelt message.
"It's so sad as next year was completely planned to be such an uplifting time for him, and I take some solace from the knowledge that he heard the completed album and felt that it was a masterpiece."
Soft Cell performing in the early 1980s
The duo were at the vanguard of the electronic music scene in the beginning of the decade

Tributes

Almond described his collaborator as "an exceptionally talented creative mastermind", stating: "He was the core essence of Soft Cell and I'm extremely pleased of our legacy.

"Many thanks Dave for being an immense part of my existence and for the songs you created with me. I wouldn't be where I am without your influence."

His Grid bandmate from The Grid, also paid tribute, recalling Ball's "endless laughter" and "unwavering friendship".

"Forming a duo with someone is different from joining a band, the bond is incredibly close," he added.
"That was the case with us. We went through so many remarkable, extraordinary, memorable experiences together. Many thanks, Dave."
Dave Ball in 2018
Dave Ball, pictured at BBC Radio 2 in recent years

Early Life

Born into a single-parent household in Chester in the late 50s, Ball was put up for adoption when he was a year and a half old.

He was raised in Blackpool with his new family Donald and Brenda Ball, who altered his first name from his birth name to his adopted name, alongside his younger sister his sister, who was also adopted.

He encountered Almond at an art college in 1977, where they were both studying art. Inspired by a mutual passion of a music genre, they formed Soft Cell the same year, and promptly recorded an EP.

Creative Collaboration

The pair were an distinctive combination: Ball was the reserved musician, bent over his keyboard, while Almond was a flamboyant showman, all sparkle and eye-liner; but they attained a unique musical alchemy.

Ball had developed a fascination with synthesizers after watching Kraftwerk perform on BBC science show a popular series, and began to marry dark electronica to the catchy tunes Almond was writing.

Their signature song became the United Kingdom's second biggest-selling single of 1981, shifting millions of copies worldwide. Alongside successful tracks by other artists, contemporary bands and Ultravox, it helped cleared the way for the electronic music style of the 80s.

The song was also featured on their full-length debut, Non-Stop Erotic Cabaret, which produced two additional top five hits: Bedsitter and Say Hello, Wave Goodbye.

They followed the album up with the separate release, Torch, which peaked at the second position in 1982.

Soft Cell in the studio
The pair were developing fresh songs until just before Ball's death

Professional Journey

Fame had its upsides. "I loved being able to afford my initial property, having financial security and travelling, which makes me sound like a beauty queen," Ball recently shared with a publication.

But it also caused challenges. "Newfound wealth meant we could purchase substances to alleviate the monotony" of press appearances and TV performances, Ball explained.

"I realize that's a common saying, but it's a cliché for a valid cause, because it applies for so many bands."

Amidst the hedonistic lifestyle, the pair were also drifting apart, but they managed to create a follow-up memorable record - the wayward, edgy and aptly-titled The Art Of Falling Apart.

They released one more LP, their 1984 release This Last Night In Sodom, before dissolving the group to focus on individual endeavors.

Almond proceeded to have a successful individual path, including the chart-topping single Something's Got A Hold Of My Heart; while Ball formed The Grid, who combined acid house with melodic sounds over a enduring partnership.

Later Work and Comebacks

Soft Cell came back together in the early 2000s, releasing the Top 40 album Cruelty Without Beauty.

After another hiatus, they returned in 2018, releasing the new tracks Northern Lights and Guilty (Cos I Say You Are) before staging what was supposed to be a final performance at the large venue on 30 September, 2018.

However, they remained active, creating their latest project, Happiness Not Included, during the 2020 restrictions.

Ball recently described the duo's new album as a tribute to the NYC nightlife they visited while recording their first two albums.

He added that his time in hospital had shaped the group's music.

"I had strange recollections when I was in and out of the hospital because I was on pain medication," he told a music magazine.
"Our latest tracks are a digital reflection of the sounds in my head from those days.
"Simultaneously, it's about the times we had in the 1980s."

The last versions were finished only a short time before Ball died. It is due for release in the spring of 2026.

Written by

Amber Harris

Elena Voss is a seasoned educator and tech enthusiast with over a decade of experience in online learning platforms.

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